While we’re awaiting the 3rd release on BATB Records, we have started Beauty Bits, a sub label dedicated to re-edits/reworks. This will be strictly limited to those special edits that go further than just looping a few bars in the intro/outro, edits that not only reinvent the originals, but also which have been tried and tested on the dance-floor.
To kick off we have released a pair of edits of mine which have been sitting in my hard drive for almost a decade! Big up to Rune Lindbaek and Belle Bete for the early support on Harer Nama, and to Frankie Valentine to whom I gave a wav of What Have We Done? in 2007 or so, and who has since been giving me multiple nudges to put this on wax. Well, here it is, in all its glory, and full mastered by Matt Colton @ Alchemy Mastering!
You can read a cracking review of the records from the lovely chaps at Piccadilly Records here
The record is available on our bandcamp, but is not expected to last long! Limited to 300 copies, and no digital release!
Following on to a Live Resident Advisor appearance earlier this year (note that I wore the same T-shirt!), I was recently invited to appear in a Boiler Room session for the first time, for what was dubbed a ‘psychedelic special’ session where I would play after The Flamingods and before cult Colombian cumbia band The Meridian Brothers.
We all have our own opinions about BR, some praising the exposure it gives to DJs while others (myself included) moan about its objectivisation of the DJ art form where, because of the cameras, a set becomes more a performance than about the music itself. It is indeed hard to stay still and let the music play when there are 3 cameras permanently in your face. However I took this as an opportunity to reach a wider audience and show what a typical (albeit very condensed) Cedric Woo set would sound like.
I had made sure a lot of my friends would be in the audience and hence distract me from the cameras, and indeed they helped. The #1 recipe for a good party is to have your friends in front of you. Then you have the music, and the quality of the sound system. This meant I felt reasonably comfortable considering the circumstances, and was able to do my own thing. Just over one hour is of course very short, especially when you’re trying to play across genres as I always do, but all in all it was a good exercise (which I prepared more than usual) and it went down quite well. The full set is now available on YT below, and also on soundcloud: if you’re tired of watching my face.
– Clemenceau Kancel, Edmonde Rusland – Cyclone Hugo Salot
– Uele Kalabubu et sa Tribou – Matata
– Eric Brouta – Machine A Lanmou
– Prins Emanuel – Aquarius
– Blackbush Orchestra – Sortez Les Filles (Kay Suzuki remix)
– Kiwi – We Are Here
– Tapes Meets The Drums Of Wareika Hill Sounds: Datura Mystic Dub
– Gotan Project: El Capitalismo Foraneo (Kushite remix)
– Wailing Souls – Shark Attack
–Tony Allen – Yebre
–Xanga – Mi Gusta Mi Cuica
–Toquinho & Jorge Ben – Carolina, Carol Bela
–Issa Bagayogo – Poye
–Sammy Massamba – Azali
–Mister Ho & Heap – Feeling Hopeful
–Jean Claude Naimro – Avèou Doudou
–Leonidas & Hobbes – Web Of Intrigue (Extended Mix)
Exactly 2 weeks on post IM Barcelona and having done no exercise whatsoever since I crossed that finish line, I find myself watching the World Champs in Kona in arather emotional state. Of course I can totally feel the pre race nerves on these athletes, the anticipation of a great battle ahead, but mainly I can’t help seeing MYSELF there. Thinking, as they start exiting the water and I recognise some athletes I usually swim with, I would have been in that group, I would have done this and that…but I am NOT in Kona. I will never get to race that race. Not only that, but I will not be racing in the pro ranks anymore at all. This is a decision I took at the beginning of the season and it’s been a long time coming, but it seems like I had somehow buried this thought in the back of my brain up until this point. And now, as the athletes reach the turn around point at Hawi the realisation is finally hitting me and it’s a tough one…+ more
Being on the start line of the Weymouth 70.3 race, 3 months and a bit after my last race and only a month after announcing my imminent retirement, was already a victory in itself. Not that I expected much, having had only a few pain free runs and a training regime somewhat chaotic what with a summer filled with festivals and gigs (and ensuing sleep deprived week-ends) every single week. In fact I hadn’t had a week-end off partying since Japan in early June! But, having teamed up at the last minute with my mate and 70.3 novice Evgeny, here I was back on the Jurassic coast nonetheless, planning to use this race as a good training day that would hit the reset button on and turn me into a triathlete again, albeit for a short amount of time. Because yes, Ironman Barcelona is only 2 weeks away, and as previously explained this will be my last race as a professional athlete. + more
The (long awaited) 2nd release on our Beauty and the Beat label has finally landed, and it’s a family affair. The main producer is our man Atemi based in Nantes, long time partner in crime behind the decks and fellow record digger and music lover. About his first release, Atemi says that “at the heart of this project is to let the music come alive and evolve out of the meeting of musicians with different styles and backgrounds.” + more
Having declared in my race recap post Lanza 2015 how glad I was to have finished because that meant I wouldn’t have to do it again…well here I was toeing the start line one more time 2 years later. DNF in 2013, 9th in 2015, what would 2017 bring? A hard race that is a certainty, but what else, and why the change of mind? + more
One thing I get asked repeatedly by a lot of people (namely my mum and my girlfriend) is to explain the motivations behind this triathlon malarkey – when will I stop ? It’s a tough one to answer really as any endurance athlete can find new goals and challenges pretty much ad vitam aeternam. I think though the main reason I am still sweating buckets going nowhere in my living room in order to compete at pro level having now just turned 40 and despite having arguably a better career to focus on (phew, breathe here!), is because I know I still haven’t reached my full potential. And I want to (reach it). As per customary with elite sport, I went through as many highs as lows over the years, but somehow I tend to dwell on those missed opportunities a lot more than on the successes. As a runner I always seemed to get injured while at the peak of my form, and hence never got the times/results I knew I could have had. When I tore my Achilles in the final of the U23 french national championship, 300m for the finish line, that was one injury too many and I stopped my running career right there. I was in the shape of my life that day and fighting for glory and a definite PB when injury stroke again. This was a pivotal time in my life as I then took a 180º turn away from competitive sport, but the feeling of unfinished business never left me.
2016 will forever be remembered as a year to…forget ! Much has been said about the passing of David Mancuso and as far as I’m concerned it felt like losing a family member. I had come to the point where I thought David was immortal (as some people should be, really) and that he would always be around to guide us…well I guess he will, though not physically any more. With David’s passing, I for one have learned about my own mortality all too suddenly, and this came as a shock. I wasn’t prepared – no one was. However, if anything this has reinforced even further our essential need of dancing with friends, as often as can possibly be. Love is the message and music is our way of life, let’s never forget.
As if that wasn’t enough we lost other luminaries like Prince (whose music I will forever be playing and carrying around with me – starting with CREAM at the gong of midnight this past NYE), David Bowie, George Michael, Leonard Cohen, Sharon Jones, and too many more…and that gave us a really shitty year…which became officially one the worst year of my generation as we witnessed the Brexit, Trump and the rise of populism and xenophobia across the world. These times we are living they ain’t easy. Sometimes I wish I could just be transported to that first Loft party on Valentine’s day 1970 on Broadway, NYC, and just stay on that magic carpet ride to eternity…
However we still have a life to live, and we might as well bounce off and fight back…and party more ! In terms of musical output at least, 2016 was a vintage as good as any, be it for new music or quality reissues of timeless music. A lot less edits these days it seems, as people prefer to put out straight reissues, which can only be a good thing. As always I will try to compile my own personal favourites of these last 12 months. There are still many reasons to stay positive and look forward to better days. I’ll start with the best of the best releases, the ones that really were unmissable this year, before listing most of my personal highlights.
For my inner circle of music friends, there isn’t a lot that hasn’t been said about David already, especially since his passing on Monday the 14th of November, but for my ‘triathlon friends’ I thought this little tribute would be much welcome as I believe most wouldn’t even have heard of him.
I won’t do a full biography/music history here, as others are much more qualified and have even done so eloquently already, starting with this exceptional interview of David done by my friend Tim Lawrence, author of the dance music bible Loves Saves the Day (whose title itself comes from an invitation at David’s Loft party in 1970). Rather I will keep these reflections quite personal and link all the relevant tributes along the way.
Un résumé de la course en français se trouve ici sur le site de Trimes:
My whole 2016 season has been shaped around this AA race. The preparation started at the beginning of November, when the list of selected athletes was announced. I must have read the race manual at least a dozen times to make sure I was ready come race day with every technical, physical and logistic aspects of this mythical race. That leaves plenty of time (9 months) to have recurring dreams about one of the most renowned and most coveted finish lines in the world of triathlon. The summit of the G.A.U.S.T.A.T.O.P.P.E.N.
Norseman means support team. You don’t race on your own like in a regular triathlon. Nobody will get DQed for outside assistance here. In fact this is compulsory, as the only 2 aid stations are at K25 and K32.5 of the run, some 8 hours + into the race. The team that follows us throughout the day is there to feed us, dress/undress us, calm our nerves, shout at us, encourage us, etc. This is one of the key aspects that makes this race so special. Then of course you have the course (unique and magical nordic landscape, cold fjords, 5 ‘cols’ on the bike for a total elevation of 3360m, and last but not least possibly the hardest run of any iron event with the 12K of Zombie Hill averaging 10% followed by 5K of fell ‘running’ (scrambling really) to reach the finish line, at an altitude of 1883m). Add to this a rather hostile and unpredictable weather, and that gives you a never ending yet unforgettable day out ! + more